Welcome
Welcome to NYDFO, your source for overstock and remnants from luxury fabric houses that have never sold retail. Until now.
These are the same hand-printed fabrics and wallpapers that designers specify for their best clients—now available to you, no trade account required. Quadrille, China Seas, and other houses that have been hand-printing fabrics for longer than most brands have existed. Quantities are limited. When they're gone, they're gone.
Contact us with questions, or call David or Marie at the warehouse directly: 518-758-1555. Just say it's NYDFO. They'll take it from there.
"Fifty-five years of patterns that arrive at the party first. Now at prices that don't require an explanation to your accountant."
The end of the bolt is not the end of the story. It's where the story gets interesting—and affordable.
You know Quadrille. You know China Seas. Now you know where to find them without the showroom markup.
Plan ahead for summer - SUNCLOTH IS ARRIVING!
Kalamkari Border
Fresh new colorways are arriving now!
Our ground
Our Belgian linen / cotton is woven by a fifth-generation family mill in the historic flax region near Kortrijk—where streets are still named Vlasstraat, Roterijstraat, and Linnenstraat (Flax Street, Retting Street, Linen Street). The fabric is inspected yard by yard and mended by hand where necessary.
The mill has been CO2 neutral since 2014. The best flax in the world is still grown in their region, transformed by craftsmen whose families have been doing this work for over 150 years.
25 yards at a time
The screen moves down the table in measured steps, anchored by metal stops that keep each repeat aligned with the last. Pull, lift, move, repeat. What looks like a single pattern is actually dozens of precise impressions, joined so seamlessly your eye will never find the seams. This is how it's done—by hand, in the USA, one length at a time.
The long table
Twenty-five yards of possibility. The table waits for the ground cloth, then the linen, then the screens. Each pattern will travel this length one pull at a time—stop, print, lift, move, repeat. What emerges at the end has touched every inch of this surface. There are no shortcuts when the table is this long.
Where color begins
This is not a tidy process. Custom Turquoise, Jungle Green, the particular orange of a bird-of-paradise flower—they all start here, in buckets and drums, mixed by hand until the eye says yes. Water-based pigment inks, formulated to match what the designer imagined. The mess is the proof that humans were here.
25 yards at a time
The screen moves down the table in measured steps, anchored by metal stops that keep each repeat aligned with the last. Pull, lift, move, repeat. What looks like a single pattern is actually dozens of precise impressions, joined so seamlessly your eye will never find the seams. This is how it's done—by hand, in the USA, one length at a time.
The long table
Twenty-five yards of possibility. The table waits for the ground cloth, then the linen, then the screens. Each pattern will travel this length one pull at a time—stop, print, lift, move, repeat. What emerges at the end has touched every inch of this surface. There are no shortcuts when the table is this long.
Where color begins
This is not a tidy process. Custom Turquoise, Jungle Green, the particular orange of a bird-of-paradise flower—they all start here, in buckets and drums, mixed by hand until the eye says yes. Water-based pigment inks, formulated to match what the designer imagined. The mess is the proof that humans were here.
