Welcome
Welcome to NYDFO, your source for overstock and remnants from luxury fabric houses that have never sold retail. Until now.
For fifty-five years, Quadrille, China Seas, and Alan Campbell have been hand screen-printing fabrics and wallpapers for the trade — the designers, the showrooms, the clients who already knew. You needed an account. You needed a source. You needed to know someone who knew someone. NYDFO is what happens when the vault opens: overstock, custom remnants, and discontinued colorways from one of the last hand-printing operations in America, at outlet prices, sold by the yard to anyone with the good sense to walk through the door.
Quantities are what they are. A bolt is eleven yards or fifty-one yards or six - and when it’s gone - that colorway becomes a thing people describe to each other at dinner parties.
Questions? Call David or Marie at the warehouse: 518-758-1555. Just say it’s NYDFO. They’ll take it from there.
Fabrics that have been waiting, patterns that outlast the mills that made them, a store that believes in things other people walked past.
"The Grail was never the point. The quest was."
Type AUGUST-20 at checkout for 20% off EVERYTHING. $300 minimum. Expires 8/31/26.
The YARD SALE is BACK!
Every last yard: $50 or less.
One-yard pieces of hand-printed fabric that nets triple digits elsewhere. We’re not entirely at peace with this. Take them before we recover.
25 yards at a time
The screen moves down the table in measured steps, anchored by metal stops that keep each repeat aligned with the last. Pull, lift, move, repeat. What looks like a single pattern is actually dozens of precise impressions, joined so seamlessly your eye will never find the seams. This is how it's done—by hand, in the USA, one length at a time.
The long table
Twenty-five yards of possibility. The table waits for the ground cloth, then the linen, then the screens. Each pattern will travel this length one pull at a time—stop, print, lift, move, repeat. What emerges at the end has touched every inch of this surface. There are no shortcuts when the table is this long.
Where color begins
This is not a tidy process. Custom Turquoise, Jungle Green, the particular orange of a bird-of-paradise flower—they all start here, in buckets and drums, mixed by hand until the eye says yes. Water-based pigment inks, formulated to match what the designer imagined. The mess is the proof that humans were here.
25 yards at a time
The screen moves down the table in measured steps, anchored by metal stops that keep each repeat aligned with the last. Pull, lift, move, repeat. What looks like a single pattern is actually dozens of precise impressions, joined so seamlessly your eye will never find the seams. This is how it's done—by hand, in the USA, one length at a time.
The long table
Twenty-five yards of possibility. The table waits for the ground cloth, then the linen, then the screens. Each pattern will travel this length one pull at a time—stop, print, lift, move, repeat. What emerges at the end has touched every inch of this surface. There are no shortcuts when the table is this long.
Where color begins
This is not a tidy process. Custom Turquoise, Jungle Green, the particular orange of a bird-of-paradise flower—they all start here, in buckets and drums, mixed by hand until the eye says yes. Water-based pigment inks, formulated to match what the designer imagined. The mess is the proof that humans were here.
