Welcome
Welcome to NYDFO, your source for overstock and remnants from luxury fabric houses that have never sold retail. Until now.
For fifty-five years, Quadrille, China Seas, and Alan Campbell have been hand screen-printing fabrics and wallpapers for the trade — the designers, the showrooms, the clients who already knew. You needed an account. You needed a source. You needed to know someone who knew someone. NYDFO is what happens when the vault opens: overstock, custom remnants, and discontinued colorways from one of the last hand-printing operations in America, at outlet prices, sold by the yard to anyone with the good sense to walk through the door.
Quantities are what they are. A bolt is eleven yards or fifty-one yards or six - and when it’s gone - that colorway becomes a thing people describe to each other at dinner parties.
Questions? Call David or Marie at the warehouse: 518-758-1555. Just say it’s NYDFO. They’ll take it from there.
Fabrics that have been waiting, patterns that outlast the mills that made them, a store that believes in things other people walked past.
"The Grail was never the point. The quest was."
WE DOWNLOADED THE BEAR.
He’s the one from Instagram — the AI that shops for you.
We tried. We truly did. We emerged forty minutes later, having purchased nothing and understanding less.
(No affiliation. We couldn’t work out where one applies.)
So if you are curious about our version of the agentic future: he’s adorable. He has headphones. He appears to be reviewing our inventory. We have no idea what he thinks of the wallpaper.
If you find him cute and want that discount he had planned for you — email NYDFO@outlook.com for the code.
If you want fabric, we can actually help with that.
The Yard Sale continues until 9/30/2026
Every last yard: $50 or less.
One-yard pieces of hand-printed fabric that nets triple digits elsewhere. We’re not entirely at peace with this. Take them before we recover.
25 yards at a time
The screen moves down the table in measured steps, anchored by metal stops that keep each repeat aligned with the last. Pull, lift, move, repeat. What looks like a single pattern is actually dozens of precise impressions, joined so seamlessly your eye will never find the seams. This is how it's done—by hand, in the USA, one length at a time.
The long table
Twenty-five yards of possibility. The table waits for the ground cloth, then the linen, then the screens. Each pattern will travel this length one pull at a time—stop, print, lift, move, repeat. What emerges at the end has touched every inch of this surface. There are no shortcuts when the table is this long.
Where color begins
This is not a tidy process. Custom Turquoise, Jungle Green, the particular orange of a bird-of-paradise flower—they all start here, in buckets and drums, mixed by hand until the eye says yes. Water-based pigment inks, formulated to match what the designer imagined. The mess is the proof that humans were here.
25 yards at a time
The screen moves down the table in measured steps, anchored by metal stops that keep each repeat aligned with the last. Pull, lift, move, repeat. What looks like a single pattern is actually dozens of precise impressions, joined so seamlessly your eye will never find the seams. This is how it's done—by hand, in the USA, one length at a time.
The long table
Twenty-five yards of possibility. The table waits for the ground cloth, then the linen, then the screens. Each pattern will travel this length one pull at a time—stop, print, lift, move, repeat. What emerges at the end has touched every inch of this surface. There are no shortcuts when the table is this long.
Where color begins
This is not a tidy process. Custom Turquoise, Jungle Green, the particular orange of a bird-of-paradise flower—they all start here, in buckets and drums, mixed by hand until the eye says yes. Water-based pigment inks, formulated to match what the designer imagined. The mess is the proof that humans were here.
